Jan 28
Blue Murder - Blue Murder
1. Riot
2. Sex Child
3. Valley Of The Kings
4. Jelly Roll
5. Blue Murder
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Jan 05
Files Info:
Codec: MPEG-1 Layer 3 (MP3)
Bitrate: 320Kbps 44.100Hz
Songs:
01.Sign of the Cross – 11:17
02.Lord of the Flies – 5:03
03.Man on the Edge – 4:13
04.Fortunes of War – 7:23
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Dec 08
01 - Hordes Of Chaos (A Necrologue For The Elite) (5:04)
02 - Warcurse (4:10)
03 - Escalation (3:24)
04 - Amok Run (4:12)
05 - Destroy What Destroys You (3:13)
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Dec 08
Tracklist:
01. Red Serenade
02. The Residue
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Nov 29
Track list:
01. Arise
02. Dead Embryonic Cells
03. Desperate Cry
04. Murder
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Oct 17
THE HEAVY METAL BOX invokes some of metal’’s biggest names with Alice Cooper’s “Billion Dollar Babies”; Black Sabbath’s “Neon Knights”; “Highway Star” by “the loudest group in the world,” Deep Purple; Iron Maiden’s “The Phantom Of The Opera” with singer Paul Di’Anno and “The Number Of The Beast” with singer Bruce Dickinson; Judas Priest’s “The Ripper” and “You’ve Got Another Thing Comin””; Metallica’s “Whiplash” and uber- doom-ballad “One”; Megadeth’s searing political statement “Peace Sells”; Slayer’s soul crushing “South of Heaven”; and Pantera’s marriage of metal and hardcore on “Cowboys From Hell.” The boxed set also includes songs by Ted Nugent, Kiss, W.A.S.P., Diamond Head, Venom, Living Colour, and a pair of tracks featuring leather-lunged Lemmy Kilmister who appears on Hawkwind’s “Lost Johnny” and Motorhead’s “Ace of Spades.”
Metal is an immense genre and this collection spotlights its many offshoots including progressive metal (Rush’s “Working Man,” Mercyful Fate’s “Black Funeral,” Queensryche’s “Queen Of The Reich,” and Prong’s “Beg To Differ”); black metal (Angel Witch’s “White Witch” and Venom’s “Witching Hour”); thrash/speed metal (Testament’s “Trial By Fire,” Raven’s “Star War,” Overkill’s “Wrecking Crew,” and Anthrax’s “Caught In A Mosh”); boogie metal (Rose Tattoo’s “Nice Boys”); Christian metal (Stryper’s “To Hell With The Devil”); party metal (Fastway’s “Say What You Will” and Krokus’ “Midnite Maniac”); and death metal (Sepultura’s “Dead Embryonic Cells”).
While America and Britain were metal’s primary foundries, they were certainly not the only ones. Australia birthed the fast ‘n’ nasty Rose Tattoo while Germany proffered newly minted, power-first outfits like the Michael Schenker Group and Accept. From the deceptively sleepy Switzerland came the manic Krokus while Sweden yielded a genuine guitar god in the Ritchie Blackmore-obsessed Yngwie J. Malmsteen. Even Japan came up with their own version of the phenomenon in the aptly-named Loudness.
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